The field of possibilities – piano recital by Marie Vermeulin
01:16:05
Palazzetto Bru Zane

The field of possibilities – piano recital by Marie Vermeulin

The field of possibilities – works by MOREL, SOHY and BONIS French Women Romantic composers Marie Vermeulin, piano Concert programme Virginie MOREL: 00:01:08 Huit études mélodiques – No.1 Introduction 00:05:08 Huit études mélodiques – No.2 La calma 00:07:40 Huit études mélodiques – No.3 La disperata 00:11:11 Huit études mélodiques – No.4 La berceuse 00:15:37 Huit études mélodiques – No.5 L’incertezza 00:17:47 Huit études mélodiques – No.6 Barcarole 00:20:44 Huit études mélodiques – No.7 Romanza 00:26:00 Huit études mélodiques – No.8 Le papillon Charlotte SOHY: 00:28:43 Sonate – I. Animé 00:36:45 Sonate – II. Lent 00:42:38 Sonate – III. Très vif Mel BONIS: 00:48:15 Femmes de légende – Mélisande, op. 109 00:50:54 Femmes de légende – Desdémona, op. 101 00:54:03 Femmes de légende – Omphale, op. 86 00:58:48 Femmes de légende – Ophélie, op. 165/1 01:04:16 Femmes de légende – Viviane, op. 80 01:07:02 Femmes de légende – Phœbé, op. 30 01:10:15 Femmes de légende – Salomé, op. 101/1 Although their works have diverse features and reveal varied aesthetic choices, women composers share a common experience of the musical world that allows us to hear them as a coherent group. Various constraints played an important role here: the noble genres were almost inaccessible to them, and they were generally restricted to domestic or educational fields. The piano – the instrument par excellence of the salon and young girls’ education – thus serves both as a symbol of their submission and an opportunity for emancipation: they could pursue careers as virtuoso soloists, achieve social advancement or simply express themselves fully. Recorded in Venice, Palazzetto Bru Zane, 8th March 2022 On the occasion of International Women’s Rights Day Video: Maco Film
The field of possibilities – piano recital by Marie Vermeulin
01:16:05
Palazzetto Bru Zane

The field of possibilities – piano recital by Marie Vermeulin

The field of possibilities – works by MOREL, SOHY and BONIS French Women Romantic composers Marie Vermeulin, piano Concert programme Virginie MOREL: 00:01:08 Huit études mélodiques – No.1 Introduction 00:05:08 Huit études mélodiques – No.2 La calma 00:07:40 Huit études mélodiques – No.3 La disperata 00:11:11 Huit études mélodiques – No.4 La berceuse 00:15:37 Huit études mélodiques – No.5 L’incertezza 00:17:47 Huit études mélodiques – No.6 Barcarole 00:20:44 Huit études mélodiques – No.7 Romanza 00:26:00 Huit études mélodiques – No.8 Le papillon Charlotte SOHY: 00:28:43 Sonate – I. Animé 00:36:45 Sonate – II. Lent 00:42:38 Sonate – III. Très vif Mel BONIS: 00:48:15 Femmes de légende – Mélisande, op. 109 00:50:54 Femmes de légende – Desdémona, op. 101 00:54:03 Femmes de légende – Omphale, op. 86 00:58:48 Femmes de légende – Ophélie, op. 165/1 01:04:16 Femmes de légende – Viviane, op. 80 01:07:02 Femmes de légende – Phœbé, op. 30 01:10:15 Femmes de légende – Salomé, op. 101/1 Although their works have diverse features and reveal varied aesthetic choices, women composers share a common experience of the musical world that allows us to hear them as a coherent group. Various constraints played an important role here: the noble genres were almost inaccessible to them, and they were generally restricted to domestic or educational fields. The piano – the instrument par excellence of the salon and young girls’ education – thus serves both as a symbol of their submission and an opportunity for emancipation: they could pursue careers as virtuoso soloists, achieve social advancement or simply express themselves fully. Recorded in Venice, Palazzetto Bru Zane, 8th March 2022 On the occasion of International Women’s Rights Day Video: Maco Film
CONCERT N°4 / 10 YEARS / Listening Then and Now au Conservatoire & Orchestre de Caen 🦉
37:07
Ensemble Variances

CONCERT N°4 / 10 YEARS / Listening Then and Now au Conservatoire & Orchestre de Caen 🦉

La nature inspire les compositeurs depuis des siècles. Désormais, grâce à la musique des XXe et XXIe siècles, l’Ensemble Variances perpétue cette tradition en proposant un éveil de conscience sonore et contemplatif aux grands problèmes actuels de l’environnement. A travers le pouvoir de la musique, Thierry Pécou incite les auditeurs à voir les changements que vivent notre planète et nos amis du règne animal. ✨🦅🌿 Avec le soutien du Fonds Diaphonique, fonds franco-britannique pour la musique contemporaine. https://diaphonique.org/fr/ PROGRAMME 🎼 Sonata de Thierry Pécou pour piano seul / for piano solo — 2016 — Edition Schott — 9’41 Marie Vermeulin piano Co-commande / Commissioned by Ensemble Variances et / and Les Musicales de Normandie Vigiles de François-Bernard Mâche pour flûte, clarinette, guitare, piano, échantillonneur et sons d’oiseaux préenregistrés / for flute, clarinet, piano, sampler, guitar and recorded bird songs — 2018 — 11’15 Commande / Commissioned by Ensemble Variances Sikus de Thierry Pécou pour violoncelle solo et dispositif électronique / for cello solo and electronics — 2001 — Edition Schott — 14’25 Stéphane André violoncelle / cello Commande / Commissioned by GRAME - Ministère de la Culture Assistant musical / Musical assistant Vincent Carinola Suivez-nous sur les réseaux ⬇⬇⬇ https://linktr.ee/ENSEMBLE.VARIANCES​